218. Kay Sage (American 18981963) Female painters, Kay, American

Encompassing the entire career of the American surrealist painter Kay Sage, this catalogue raisonné features all her known mature works and the latest scholarship on a brilliant artist. While her career as a painter was often eclipsed during her lifetime by that of her husband, Yves Tanguy, recent scholarship posits that the influence was.

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Kay Sage, Catalogue Raisonné By Stephen Robeson Miller, Edited by Jessie Sentivan, Essay by Mary Ann Caws Delmonico Books-Prestel Verlag, 2018 ˚ˇ˙ ˚ I n 1983, art historian Stephen Robeson Miller lent, for microfilming, his meticulous research on American artist Kay Sage (1898-1963) to the Arch-ives of American Art (AAA), including

Kay Sage (18981963)

Kay Sage is one of the most prominent women associated with the Surrealist movement. A painter, collagist, and poet, she was well known for her abstract, architectural motifs. Her landscape paintings, with sharp edges and invisible brushwork, give the viewer a sense of isolation and abandonment. Sage was born in 1898 in Albany, New York, to a.

Kay Sage Archives of Women Artists, Research and Exhibitions

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Kay Sage: Serene Surrealist recreates the American artist's inaugural 1950 exhibition with the Catherine Viviano Gallery in New York. One of the few women Surrealists, Kay Sage (1898-1963) achieved notable success during her career. Sage's representation with Catherine Viviano followed her successful solo showings at the Pierre Matisse Gallery, Julien Levy Gallery, and the San Francisco.

Kay Sage 1947 Three Thousand Miles to the Point of Beginning Connecticut, Hexagon Game, San

But in 1936, it was a mysterious landscape painting that left American artist Kay Sage lovestruck. Created by French surrealist Yves Tanguy, the canvas was filled with odd, organic shapes.

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Kay Sage (born June 25, 1898, Watervliet, near Albany, New York, U.S.—died January 8, 1963, Woodbury, Connecticut) American Surrealist painter and poet known for her austere and architectural style.. As a girl, Sage moved from school to school, allegedly spending not more than three years in any one institution. She traveled overseas often with her mother, who had separated from Sage's.

Hope in a strange world? An enigmatic landscape by one half of Surrealism’s ‘It couple

1939 Kay Sage sailed to New York. 1940 Kay Sage and Yves Tanguy married in Reno, Nevada. 1940 Kay Sage had her first solo show in New York. 1941 Visited California with her husband; exhibited at the Tone Price Gallery and the San Francisco Museum of Art. 1941 Kay Sage and Yves Tanguy moved to Woodbury, Connecticut. 1945 Anne Ward Sage, Kay's.

Kay Sage, Midnight Street, 1944 · SFMOMA

Kay Sage papers, 1925-circa 1985 via Archives of American Art, Smithsonian Institution.. Kay Sage's life story carries something glorious, dramatic, and mythical. She was born in 1898 in a prestigious family in New York, a daughter of the businessman and state senator Henry Manning Sage.

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Kay Sage quoted in "Serene Surrealists," Time, March 13, 1950, 49. Kay Sage, "Excerpts from China Eggs , 1955," in Voicing Our Visions , 239. Kay Sage quoted in Stephen Robeson Miller, "In the Interim: The Constructivist Surrealism of Kay Sage," in Mary Ann Caws, Rudolf E. Kuenzli, and Gwen Raaberg, eds., Surrealism and Women.

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Kay Sage Retrospective Exhibition, 1937-1958, exh. cat. (New York: Catherine Viviano Gallery, 1960) Reproduced: n. 45 "Annual Report for 1964," The Bulletin of The Cleveland Museum of Art 52 (June 1965). Mentioned: p. 156-157. Miller, Stephen Robeson, Jessie Sentivan, Mary Ann Caws, and Kay Sage.

Exhibit gathers works of surrealist painter Kay Sage

A House of Her Own: Kay Sage, Solitary Surrealist. Lincoln, Neb., 1997, pp. 166-70, ill. between pp. 184-85 (color), suggests this painting's bleak content and title reflect the artist's depressed state after the death of her husband, the artist Yves Tanguy; cites its $2, 215 purchase price as marking the increase of Sage's work's market.

Kay Sage (18981963) , The Seven Sleepers Christie's

Kay Sage, Ring of Iron, Ring of Wool, 1947. Oil on canvas, 54 x 37 7/8 inches. Courtesy Mint Museum. Newly separated from an Italian prince, the American-born painter-poet Kay Sage (1898-1963) snuck into the studio of the surrealist Kurt Seligmann—enticed by a stack of paintings visible from the hallway of the Hotel Grosvenor in Paris.

Any Wednesday (1948) Kay Sage (With images) Art, Canvas art prints, Surrealism painting

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